Archive for the ‘Film’ Category

My Fave 7 Films of 2017


1) Columbus

I loved this quiet, beautiful film (dir. Kogonada) starring John Cho, Haley Lu Richardson, and Parker Posey. Set in Columbus, Indiana, the modernist architecture is every bit a character of this film, which focuses on dreams deferred, loss, family, and class. It’s an inspiring story of overcoming personal pain to seek one’s heart.

2) Abacus: Small Enough to Jail

Riveting documentary about a miscarriage of justice against a small family-owned Chinatown bank, Abacus, the only bank charged by the New York City’s D.A. office after the 2008 financial crisis. The Sung family fights back, but the costs are enormous.


3) Coco

This Pixar film surprised me! I loved the richly imagined visuals, the emphasis on family and culture, the very moving message about loss. All this plus Dia de los Muertos!



4) Get Out

I’ve been in the sunken place but never knew what to call it until Jordan Peele’s film came out and depicted perfectly that feeling of terror and helplessness amidst racism in America.


5) Call Me By Your Name

This is not just a beautiful love story; it’s also a beautiful film period.

James Ivory’s adaption of André Aciman’s novel is smart and subtle; the performances, especially Timothee Chalomet, are wonderful; the visuals are perfect; and oh, that soundtrack!

6) All the Money in the World

The best class critique in film this year! Based on the real-life kidnapping of billionaire John Paul Getty’s grandson in the 1970s, this film smartly shows why greed is not good. The pursuit of more and more and always more can corrupt the soul–and kill the ability to empathize with others. Christopher Plummer and Michelle Williams are fantastic as adversaries within the same family.


7) I, Tonya

I was surprised how much I liked this movie. Its depiction of child abuse and domestic violence, and the long-term consequences on the psyche, struck me as very real as did the class dynamics that were (are?) part and parcel of the American competitive figure skating scene. I remember the Tonya Harding-Nancy Kerrigan rivalry from the 90s but I had no idea about the abuse going on in Harding’s life. Margot Robbie and Allison Janney both give bravura performances. This is the film for the #metoo moment.


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My favorite films of 2016:

I didn’t get to see as many films as usual so there are some films I might have liked more but didn’t get to see, but here are the films that intrigued me for one reason or another.

1) Right Now, Wrong Then (dir. Hong Sang-soo) Fantastic, subtle performances by Kim Min-hee and Jeong Jae-yeong.

2) Happy Hour (dir. Ryusuke Hamaguchi)

A five-hour-and-17-minute drama focusing on four middle aged Japanese women, none of whom is a professional actress. LOVED this! Got to meet the filmmaker in San Francisco.

3) Star Wars: Rogue One. (dir. Gareth Edwards) Donnie Yen, Jiang Wen, and Diego Luna! The dark tone fit the national mood and mine as well.rogue-one.jpg

4)Kaili Blues (dir. Bi Gan) A really intriguing setting and interesting cinematography. The story was at times frustratingly oblique but I know the filmmakers had to deal with a lot of censorship, so perhaps it’s amazing they could find a way to tell this story of a crime and the brothers who were broken apart because of it.

5) The Lobster (dir. Yorgos Lanthimos) Odd, quirky, and not for everyone, but I appreciated the absurdity of the vision of a world where it is criminal to be single.

6) Toni Erdmann (dir. Maren Ade). It’s billed as a comedy but I found it at times grimly realistic in its depiction of workplace sexism and the ravages of globalization.

7) Spa Night (dir. Andrew Anh) Loved the realistic performances by all the actors, its depiction of multicultural L.A., and the gutsy lead performance by actor Joe Seo.

8) Arrival (dir. Denis Villeneuve) The cinematography blew me away, and gave the film its nearly mystical air. Loved the inky/smoky language of the heptapods, which recall some of the smoke ring engravings of artist Frank Stella.


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As promised, I’m now posting some short videos from the Tiger Girl launch party at Books Inc., including a short reading and excerpt from the Q&A, a song by the amazing Cambodian American singer Laura Mam, and a 30-second video that gives you a feel for the event!



Much thanks to everyone who came to the launch at Books Inc./Opera Plaza in San Francisco! And I hope these videos can give a feel of the event to those who could not come in person.

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Here’s an sneak peek at TIGER GIRL, my new novel coming out in stores and online this October 7, 2013.

Check out this four-minute excerpt:

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It was very hard to come up with a top ten film list for 2012. I was able to see so many interesting movies this year. I’m sure I left some really good ones off, but here are the ten that stuck with me.

10. Golden Slumbers (Le Sommeil d’or)

This charming documentary details the gems of Cambodian cinema before the Khmer Rouge took over and destroyed civil society. Director Davy Chou is the grandson of one of the great producers of the era.

Golden Slumbers trailer


9. Ai Weiwei: Never Sorry
This documentary captures the spirit of activist artist Ai Weiwei and it also opens a window into life in China. The film shows the bravura, humor, and brio of an artist who refuses to accept the government’s attempts to impose limits on his intellect and his sense of moral outrage.

Ai Weiwei Never Sorry

8. Searching for Sugarman

This documentary is about a 1970s folk singer named Rodriguez who was all but forgotten in America, working odd jobs and living in poverty in Detroit, but who turns out to have been the most important singer of his generation in South Africa. This is the feel-good movie of the decade.

7. Magic Mike

Ah, the death knell of the American dream. Once upon a time a young man like Channing Tatum’s character would have dreamed of being a Top Gun or a crusading lawyer for justice. In post-George W. Bush America, he dreams of being a male stripper. Steven Soderbergh turns the infamous “male gaze” of the camera upon men…and the objectification seems symptomatic of our era.

6. 11 Flowers

This Chinese movie directed by Wang Xiaoshuai is intelligent and moving, portraying four young boys at the end of the Cultural Revolution. The film has an almost “Stand by Me” quality–recalling the exuberance of youth amidst poverty and hardship. Stand-out performances from all the actors!

11 Flowers trailer


5. Argo

I never expected to see a Hollywood movie celebrating an achievement of the Carter Administration. Not ever. There’s been some criticism online about the portrayal of Iranian protests. I was more surprised by the context this film actually provides for those protests–showing the flawed American foreign policy in Iran that led to the overthrow of the Shah.

4. Patience (After Sebald)

This film is magical. I don’t want to spoil the pleasure of watching this gem by describing it. It’s based on W.G. Sebald’s The Rings of Saturn.This is how a literary adaptation should be done–capture the spirit of the writing without being literal.

Patience (After Sebald) trailer

Patience_(after Sebald)

3. Wuthering Heights

Andrea Arnold has directed the definitive adaptation of the Emily Brontë novel as far as I’m concerned. The opening shot of a branch tapping at a window evokes the ghostly opening of the novel without literally filming it. Similiarly, Arnold shows us what the moors must have felt and looked like to Cathy and Heathcliff. No other film has done that for me.

wuthering heights

2. This Is Not a Film

Iranian director Jafar Panahi has been banned from making movies by the government of Iran. So he made this “non-film” with a friend and shot parts with an iPhone. His enormous talent as a filmmaker and his love of cinema come through in the scenes where he describes the artistic choices he made in his other movies. Talk about a master class! And his scenes with the young garbage collector in his building create a character portrait as vivid as in a drama.

This Is Not a Film trailer


1. Once Upon a Time in Anatolia

Visually stunning. Great plot. Part detective story, part portrait of a land, this film was unforgettable.

Once Upon a Time in Anatolia trailer


Once Upon a Time in Anatolia

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I was saddened to read in the paper of the imminent closing of the Lumiere Theater in San Francisco.

If you’ve ever seen the movie “Good-bye Dragon Inn” by Ts’ai Ming-liang then you know how special movie theaters can be.

The Lumiere showed such wonderful independent films and it was a pleasure to be able to see them on a large screen rather than at home on a DVD  on TV.

SF Chronicle article on the Lumiere
Serbis, Bugis Street, Cyclo, The Housemaid, The Imposter… I have seen movies from around the world at the Lumiere.

For one last time, I went to the Lumiere this week to watch the disturbing documentary GIRL MODEL about the exploitation of a 13-year old Siberian girl who dreams of making it big as a model in Japan. The films at the Lumiere have illuminated my life and I am sad to see this San Francisco institution close.

Good-bye, lovely Lumiere.

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I wanted to let everybody know about a wonderful documentary, Golden Slumbers, about Cambodian movies of the 1960s and 70s that’s currently playing in the San Francisco International Film Festival. There’s still time to catch showings in Berkeley and San Francisco at the SFIFF.

The film beautifully blends interviews of surviving filmmakers, actors and fans, who describe the movies they loved so much before the Khmer Rouge took over the country in 1979. Between 1960 and 1978, Cambodian filmmakers made 400 films, which were wildly popular. Fans remember venturing out to some of 30 theaters in Phnom Penh despite bombs, grenade attacks, and the unrest during the 1970-74 civil war.  As one producer recalls pointing out to his financial backers in Hong Kong: When times are rough, people need to be entertained.

Director Davy Chou is the grandson of one of Cambodia’s most successful film producersp, Van Chann. Chou was present at the screening in San Francisco and participated in an ethusiastic Q&A after the late screening at the SF Film Society Cinema on Saturday night.

Chou was utterly charming. He revealed that he had to “fake” the visually stunning ending that showed footage of a classic movie projected onto the brick wall of a former movie house that now serves as home to 100-some impoverished people. In fact he said it’s impossible to project the film onto dark brick and so the shot was digitally rendered. But the metaphor was real and sincere: showing the beauty of Cambodian film as a haunting presence juxtaposed with the present lives of young Cambodians, who remain transfixed by the new movies and music videos they watch on TV.

Chou’s parents were also in attendance. (In fact, I discovered I was sitting right next to them!)

Chou mixes interviews, stunning shots of contemporary Cambodia, vintage posters and photographs, and snippets of 1960s and 70s -era soundtracks in this artistic exploration of Cambodia’s “golden age of cinema.”

I highly recommend this visually arresting film to all cinemaphiles.

(And yes, I got an autograph from the very talented French Cambodian director!)

Director Davy Chou's parents (at the San Francisco screening)

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